<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1221">
    <dcterms:title><![CDATA[Post Card WWI]]></dcterms:title>
    <dcterms:description><![CDATA[Vernacular photography refers to photos that focus on everyday life and people and makes the ordinary and familiar matter.<br />
<br />
In the case of African American servicemen, vernacular photography visually turned the uniformed soldier into both an everyday-man and first-class citizen.  Photographs of Black men standing strong and dressed in military uniform showed them as loyal and patriotic, but most importantly, as American citizens]]></dcterms:description>
    <dcterms:bibliographicCitation><![CDATA[African American Real Photo Postcard Collection, MS. 0583, Box 2, Special Collections,<br />
<br />
The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1220">
    <dcterms:title><![CDATA[Freedom Papers Cover Art]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1217">
    <dcterms:title><![CDATA[Josephine Baker St. Louis]]></dcterms:title>
    <dcterms:description><![CDATA[In a speech before the audience at Kiel Auditorium, Baker said:<br />
<br />
“I wanted to find freedom of soul and spirit. I wanted to do things to help freedom come to my people. I was ready to fight, if necessary to obtain it. I wanted to feel that I was a human being and that we were all human beings.”  ]]></dcterms:description>
    <dcterms:abstract><![CDATA[<a href="https://www.umsl.edu/virtualstl/phase2/1950/events/perspectives/documents/jbhomecoming.html" target="_blank">Speech available from the University of Missouri St. Louis Black History Project Collection.</a>]]></dcterms:abstract>
    <dcterms:date><![CDATA[February, 1952]]></dcterms:date>
    <dcterms:bibliographicCitation><![CDATA[Josephine Baker, MS. 0725, Box 1, Special Collections, The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1215">
    <dcterms:title><![CDATA[ Black Gold Star Mothers (New York Times Article 1930)]]></dcterms:title>
    <dcterms:description><![CDATA[The petition to President Hoover by 55 of 216 identified Black Gold Star Mothers forced the State Department to issue a public statement that guaranteed Black women “equal accommodation, care, and consideration.”  The Black community’s public denouncement of the segregated pilgrimages initiated a slow shift of Black voter support from the Republican to the Democratic Party by the 1936 presidential election.]]></dcterms:description>
    <dcterms:abstract><![CDATA[<a href="https://www.washingtonpost.com/news/morning-mix/wp/2017/10/25/insulting-african-american-gold-star-widows-has-a-history/?utm_term=.a42cd6d4d0d0" target="_blank">Read more</a> about Black Gold Star Mothers Washington Post, October 25, 2017]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[Capital rebuffs Gold Star Negroes. (1930, May 30).  The New York Times. p. 12.  Reprint]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1213">
    <dcterms:title><![CDATA[Curators &amp; Credits]]></dcterms:title>
    <dcterms:abstract><![CDATA[Special thanks to John Morris &amp; Meredith Shelby for their work and contributions to the exhibit.]]></dcterms:abstract>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1212">
    <dcterms:title><![CDATA[Willie Ray Horne, 1943]]></dcterms:title>
    <dcterms:description><![CDATA[Vernacular photography refers to photos that focus on everyday life and people and makes the ordinary and familiar matter.<br />
<br />
In the case of African American servicemen, vernacular photography visually turned the uniformed soldier into both an everyday-man and first-class citizen.  Photographs of Black men standing strong and dressed in military uniform showed them as loyal and patriotic, but most importantly, as American citizens. ]]></dcterms:description>
    <dcterms:date><![CDATA[1943]]></dcterms:date>
    <dcterms:bibliographicCitation><![CDATA[Personal collection of Sharon Horne Morris]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1207">
    <dcterms:title><![CDATA[Double V Emblem]]></dcterms:title>
    <dcterms:description><![CDATA[Launched in 1942 by the Pittsburgh Courier, one of the nation’s largest Black newspapers, the Double V campaign encouraged Blacks to fight for freedom abroad and at home. ]]></dcterms:description>
    <dcterms:abstract><![CDATA[<a href="http://studylib.net/doc/6977700/double-v-campaign" target="_blank">Learn More about the Double V Campaign</a>]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[Flicker, Nick Normal, Double Victory; Permission from New Pittsburgh Courier.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1205">
    <dcterms:title><![CDATA[Baker Souvenir Program ]]></dcterms:title>
    <dcterms:description><![CDATA[Cabaret Music Hall, Paris France<br />
<br />
 Known as “Black Pearl,&quot; &quot;Bronze Venus,&quot; and even the &quot;Creole Goddess,” Baker was lead in this revue.  ]]></dcterms:description>
    <dcterms:date><![CDATA[1937]]></dcterms:date>
    <dcterms:bibliographicCitation><![CDATA[Josephine Baker, MS. 0725, Box 1, Special Collections, The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1204">
    <dcterms:title><![CDATA[Amazing Grace Slave Ship Middle Passage]]></dcterms:title>
    <dcterms:abstract><![CDATA[An altered book symbolizing the middle passage and its complex history.  <br />
<br />
This book art piece portrays a middle passage ocean scene and its title evokes a connection to slave ship Captain John Newton’s redemptive song “Amazing Grace.”  ]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[I Was Once Lost<br />
<br />
Martha Edgerton<br />
<br />
2011]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1203">
    <dcterms:title><![CDATA[Cinque in His Homeland]]></dcterms:title>
    <dcterms:abstract><![CDATA[An altered cloth binding with a fore-edge painting depicts the famous Cinque in his homeland before captivity. ]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[Cinque I<br />
Martha Edgerton<br />
2006]]></dcterms:bibliographicCitation>
</rdf:Description></rdf:RDF>
