<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1215">
    <dcterms:title><![CDATA[ Black Gold Star Mothers (New York Times Article 1930)]]></dcterms:title>
    <dcterms:description><![CDATA[The petition to President Hoover by 55 of 216 identified Black Gold Star Mothers forced the State Department to issue a public statement that guaranteed Black women “equal accommodation, care, and consideration.”  The Black community’s public denouncement of the segregated pilgrimages initiated a slow shift of Black voter support from the Republican to the Democratic Party by the 1936 presidential election.]]></dcterms:description>
    <dcterms:abstract><![CDATA[<a href="https://www.washingtonpost.com/news/morning-mix/wp/2017/10/25/insulting-african-american-gold-star-widows-has-a-history/?utm_term=.a42cd6d4d0d0" target="_blank">Read more</a> about Black Gold Star Mothers Washington Post, October 25, 2017]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[Capital rebuffs Gold Star Negroes. (1930, May 30).  The New York Times. p. 12.  Reprint]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1204">
    <dcterms:title><![CDATA[Amazing Grace Slave Ship Middle Passage]]></dcterms:title>
    <dcterms:abstract><![CDATA[An altered book symbolizing the middle passage and its complex history.  <br />
<br />
This book art piece portrays a middle passage ocean scene and its title evokes a connection to slave ship Captain John Newton’s redemptive song “Amazing Grace.”  ]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[I Was Once Lost<br />
<br />
Martha Edgerton<br />
<br />
2011]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1205">
    <dcterms:title><![CDATA[Baker Souvenir Program ]]></dcterms:title>
    <dcterms:description><![CDATA[Cabaret Music Hall, Paris France<br />
<br />
 Known as “Black Pearl,&quot; &quot;Bronze Venus,&quot; and even the &quot;Creole Goddess,” Baker was lead in this revue.  ]]></dcterms:description>
    <dcterms:date><![CDATA[1937]]></dcterms:date>
    <dcterms:bibliographicCitation><![CDATA[Josephine Baker, MS. 0725, Box 1, Special Collections, The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1191">
    <dcterms:title><![CDATA[Brooks Letters]]></dcterms:title>
    <dcterms:description><![CDATA[Separated by WWII, Sergeant Billy Brooks and Lorraine Brooks wrote each other love letters that offer a glimpse into their interior life, desires, and aspirations.]]></dcterms:description>
    <dcterms:abstract><![CDATA[<a href="http://exhibits.library.jhu.edu/files/original/1648dee5be5d6d0e02bfa082e85ecf62.pdf" target="_blank">Read the Brooks Letters</a>]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[Brooks Letters, MS. 0672, Box 2, Special Collections, The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1228">
    <dcterms:title><![CDATA[Cinque Birney Pamphlet]]></dcterms:title>
    <dcterms:description><![CDATA[<a href="https://archive.org/details/captivesofamista00bald" target="_blank">Read or download the pamphlet</a>]]></dcterms:description>
    <dcterms:date><![CDATA[1886]]></dcterms:date>
    <dcterms:bibliographicCitation><![CDATA[Simeon E. Baldwin. The Captives of the Amistad. 1886, James Birney Collection of Anti-Slavery Pamphlets, MS. 0378, Box 3. Special Collections, The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1203">
    <dcterms:title><![CDATA[Cinque in His Homeland]]></dcterms:title>
    <dcterms:abstract><![CDATA[An altered cloth binding with a fore-edge painting depicts the famous Cinque in his homeland before captivity. ]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[Cinque I<br />
Martha Edgerton<br />
2006]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1225">
    <dcterms:title><![CDATA[Cinque Revolt]]></dcterms:title>
    <dcterms:abstract><![CDATA[Image was drawn by engraver, John Warner Barber, who visited the Africans imprisoned in New Haven.  Illustration from A History of the Amistad Captives (New Haven, CT, 1839).  E.L. &amp; J.W. Barber]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[Reprint from Library of Congress Prints and Photographs Division.  LC-USZ62-52577]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1213">
    <dcterms:title><![CDATA[Curators &amp; Credits]]></dcterms:title>
    <dcterms:abstract><![CDATA[Special thanks to John Morris &amp; Meredith Shelby for their work and contributions to the exhibit.]]></dcterms:abstract>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1181">
    <dcterms:title><![CDATA[Curt Flood]]></dcterms:title>
    <dcterms:description><![CDATA[Curt Flood.  Baseball player, businessman, painter and author.  His legal case opened the door for free agency in baseball.]]></dcterms:description>
    <dcterms:bibliographicCitation><![CDATA[Associated Press, Marty Lederhandler, photographer, 1982   ]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1299">
    <dcterms:title><![CDATA[Curt Flood Autobiography ]]></dcterms:title>
    <dcterms:description><![CDATA[In his autobiography, Curt Flood writes about inequalities and racism in baseball during the 1950’s and 1960’s.]]></dcterms:description>
    <dcterms:date><![CDATA[1972]]></dcterms:date>
    <dcterms:bibliographicCitation><![CDATA[C. Flood &amp; R. Carter, (1972). The way it is. New York: Pocket Books.  The Sheridan Libraries]]></dcterms:bibliographicCitation>
</rdf:Description></rdf:RDF>
