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                <text> Black Gold Star Mothers (New York Times Article 1930)</text>
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                <text>The petition to President Hoover by 55 of 216 identified Black Gold Star Mothers forced the State Department to issue a public statement that guaranteed Black women “equal accommodation, care, and consideration.”  The Black community’s public denouncement of the segregated pilgrimages initiated a slow shift of Black voter support from the Republican to the Democratic Party by the 1936 presidential election.</text>
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                <text>&lt;a href="https://www.washingtonpost.com/news/morning-mix/wp/2017/10/25/insulting-african-american-gold-star-widows-has-a-history/?utm_term=.a42cd6d4d0d0" target="_blank"&gt;Read more&lt;/a&gt; about Black Gold Star Mothers Washington Post, October 25, 2017</text>
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                <text>Capital rebuffs Gold Star Negroes. (1930, May 30).  The New York Times. p. 12.  Reprint</text>
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                <text>Amazing Grace Slave Ship Middle Passage</text>
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                <text>An altered book symbolizing the middle passage and its complex history.  &#13;
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                <text>I Was Once Lost&#13;
&#13;
Martha Edgerton&#13;
&#13;
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                <text>Cabaret Music Hall, Paris France&#13;
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                <text>Josephine Baker, MS. 0725, Box 1, Special Collections, The Johns Hopkins University</text>
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                <text>Separated by WWII, Sergeant Billy Brooks and Lorraine Brooks wrote each other love letters that offer a glimpse into their interior life, desires, and aspirations.</text>
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                <text>Cinque Birney Pamphlet</text>
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                <text>Simeon E. Baldwin. The Captives of the Amistad. 1886, James Birney Collection of Anti-Slavery Pamphlets, MS. 0378, Box 3. Special Collections, The Johns Hopkins University</text>
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                <text>&lt;a href="https://archive.org/details/captivesofamista00bald" target="_blank"&gt;Read or download the pamphlet&lt;/a&gt;</text>
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                <text>Cinque I&#13;
Martha Edgerton&#13;
2006</text>
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                <text>Image was drawn by engraver, John Warner Barber, who visited the Africans imprisoned in New Haven.  Illustration from A History of the Amistad Captives (New Haven, CT, 1839).  E.L. &amp; J.W. Barber</text>
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                <text>Special thanks to John Morris &amp; Meredith Shelby for their work and contributions to the exhibit.</text>
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                <text>Associated Press, Marty Lederhandler, photographer, 1982   </text>
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                <text>1972</text>
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                <text>C. Flood &amp; R. Carter, (1972). The way it is. New York: Pocket Books.  The Sheridan Libraries</text>
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