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                  <text>Hopkins and the Great War</text>
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                  <text>This is an artificial collection of materials assembled for the Hopkins and the Great War exhibit. The majority of the materials are from the Ferdinand Hamburger University Archives, the Alan Mason Chesney Medical Archives, and the Library of Congress WWI Poster Collection.</text>
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                <text>William Welch, Diary 11, military camp inspection trips, January, 1918</text>
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                <text>In 1917 as a Major in the US Army Medical Corps , William Welch was assigned the task of medical inspector general. Welch’s military work involved examining infectious disease incidence and control in the US military posts where soldiers were training for overseas duty.  At each of the camps he visited, Welch recorded the incidence of epidemic disease, looked at patient isolation procedures, assessed medical staff, inspected laboratory facilities and autopsy work. &#13;
This portion of Diary 11 includes his inspection of Camp Hancock in Augusta, Georgia, and Camp Jackson in Columbia, South Carolina, from January 7-10, 1918. </text>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/papers/welch.html" target="_blank"&gt;William H. Welch Collection&lt;/a&gt;</text>
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                <text>Item 53517</text>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/" target="_blank"&gt;Alan Mason Chesney Medical Archives&lt;/a&gt;</text>
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                <text>Photograph of Villa Pace foyer ceiling in 1982</text>
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                <text>Photograph of Villa Pace foyer ceiling in 1982 with a short clip on the back and "9/13/82; ceiling and balcony in entrance to Ponsell [sic.] house" from Sunpapers Photograph Weyman Swagger. Includes red stamp of Sep 26 1982.</text>
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                <text>Rights Holder: Arthur Friedheim Library, the Peabody Institute of the Johns Hopkins University.</text>
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                <text>Photograph as Mathilde in Rossini's Guillaume Tell</text>
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                <text>Photograph of Rosa Ponselle as Mathilde in William Tell with autograph from 1975. Long velour gown with poof sleeves and pearl face-framing headdress and large rock in background. Back has handwritten "Rosa Ponselle as Matilde in Wm Tell"</text>
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                <text>Arthur Friedheim Library, the Peabody Institute of the Johns Hopkins University.</text>
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                <text>Aelia Laelia Crispis, epitaphium antiquum, quod in agro Bononiensi adhuc videtur, a diversis hactenus interpretatum varie  </text>
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                <text>Dordecht: Johann Leonard Berewout</text>
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                <text>&lt;p class="p1"&gt;&lt;span class="s1"&gt;FREEMAN, Arthur, &lt;em&gt;Bibliotheca Fictiva: A Collection of Books &amp;amp; Manuscripts Relating to Literary Forgery, 400BC – AD 2000&lt;/em&gt;, London: Bernard Quaritch Limited, 2014, p. 146. &lt;strong&gt;[252]&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Photograph of Rosa Ponselle on her wedding day with Carmela Ponselle</text>
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                <text>Photograph of Rosa Ponselle on her wedding day with Carmela. Stamp from Wide World Studio on reverse and handwritten "Rosa's wedding day with Carmela." Both holding large bouquets. Photograph by Wide World Photos from 1936. </text>
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                <text>Arthur Friedheim Library, the Peabody Institute of the Johns Hopkins University.</text>
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