<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1221">
    <dcterms:title><![CDATA[Post Card WWI]]></dcterms:title>
    <dcterms:description><![CDATA[Vernacular photography refers to photos that focus on everyday life and people and makes the ordinary and familiar matter.<br />
<br />
In the case of African American servicemen, vernacular photography visually turned the uniformed soldier into both an everyday-man and first-class citizen.  Photographs of Black men standing strong and dressed in military uniform showed them as loyal and patriotic, but most importantly, as American citizens]]></dcterms:description>
    <dcterms:bibliographicCitation><![CDATA[African American Real Photo Postcard Collection, MS. 0583, Box 2, Special Collections,<br />
<br />
The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1222">
    <dcterms:title><![CDATA[Post Cards Buffalo Soldiers]]></dcterms:title>
    <dcterms:description><![CDATA[Vernacular photography refers to photos that focus on everyday life and people and makes the ordinary and familiar matter.<br />
<br />
In the case of African American servicemen, vernacular photography visually turned the uniformed soldier into both an everyday-man and first-class citizen.  Photographs of Black men standing strong and dressed in military uniform showed them as loyal and patriotic, but most importantly, as American citizens. ]]></dcterms:description>
    <dcterms:date><![CDATA[March 23, 1918  ]]></dcterms:date>
    <dcterms:bibliographicCitation><![CDATA[African American Real Photo Postcard Collection, MS. 0583, Box 2, Special Collections,<br />
<br />
The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/348">
    <dcterms:title><![CDATA[Postcard to John Barth]]></dcterms:title>
    <dcterms:creator><![CDATA[Unknown ]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/287">
    <dcterms:title><![CDATA[Postcard to John Barth (back)]]></dcterms:title>
    <dcterms:creator><![CDATA[Kurt Vonnegut]]></dcterms:creator>
    <dcterms:created><![CDATA[28 January 2006]]></dcterms:created>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/290">
    <dcterms:title><![CDATA[Postcard to John Barth (back)]]></dcterms:title>
    <dcterms:creator><![CDATA[Don DeLillo]]></dcterms:creator>
    <dcterms:created><![CDATA[12 December 2007]]></dcterms:created>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/286">
    <dcterms:title><![CDATA[Postcard to John Barth (front)]]></dcterms:title>
    <dcterms:creator><![CDATA[Kurt Vonnegut]]></dcterms:creator>
    <dcterms:created><![CDATA[28 January 2006]]></dcterms:created>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/289">
    <dcterms:title><![CDATA[Postcard to John Barth (front)]]></dcterms:title>
    <dcterms:creator><![CDATA[Don DeLillo]]></dcterms:creator>
    <dcterms:created><![CDATA[12 December 2007]]></dcterms:created>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/1223">
    <dcterms:title><![CDATA[Postcards WWII Sailors]]></dcterms:title>
    <dcterms:description><![CDATA[Johns Hopkins Special Collections has <a href="https://www.flickr.com/photos/hopkinsarchives/sets/72157689099621576" target="_blank">scanned the entire African American Real Postcard collection making it available to everyone.</a>]]></dcterms:description>
    <dcterms:abstract><![CDATA[ Vernacular photography refers to photos that focus on everyday life and people and makes the ordinary and familiar matter.<br />
<br />
In the case of African American servicemen, vernacular photography visually turned the uniformed soldier into both an everyday-man and first-class citizen.  Photographs of Black men standing strong and dressed in military uniform showed them as loyal and patriotic, but most importantly, as American citizens. <br />
<br />
Vernacular photography of uniformed soldiers also mobilized Black families and communities.  Particularly, during WWII, the images provided African Americans with visual symbols that aided in the Double V Campaign, rallying Black people to fight for victories abroad against fascism and at home against U.S. racism.]]></dcterms:abstract>
    <dcterms:bibliographicCitation><![CDATA[African American Real Photo Postcard Collection, MS. 0583, Box 2, Special Collections,<br />
<br />
The Johns Hopkins University]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/339">
    <dcterms:title><![CDATA[Poster for John Barth public reading]]></dcterms:title>
    <dcterms:creator><![CDATA[Johns Hopkins University Office of Special Events]]></dcterms:creator>
    <dcterms:issued><![CDATA[20 September 1974]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Craig Hankin, Designer/Illustrator]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://exhibits.library.jhu.edu/items/show/759">
    <dcterms:title><![CDATA[Poster for The Raven, directed by Roger Corman, with Vincent Price, Peter Lorre, and Boris Karloff]]></dcterms:title>
    <dcterms:creator><![CDATA[American International Pictures]]></dcterms:creator>
    <dcterms:dateCopyrighted><![CDATA[1963]]></dcterms:dateCopyrighted>
</rdf:Description></rdf:RDF>
