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                <text>Florence Rena Sabin with microscope, 1929</text>
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                <text>Hand painted Envelope of Rosa Ponselle by Doris Gold for the Opera Singer Stamp Series, 1997</text>
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                <text>FDC RP Stamp Supplement for RP Birthday Cachet by Doris Gold, hand-painted with 2 Metropolitan Opera stamps, canceled in Meriden, Connecticut, Jan. 22, 1997. Addition of Rosa Ponselle stamp and New York Sept. 10, 1997 cancelation. Original notes by David Moorshead, Chicago, IL. </text>
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                <text>In this letter, Douglas H. Gordon, a member of the Peabody Institute Board of Trustees, responds to William L. Marbury with his opinion on the admission of Paul A. Brent to the Conservatory. Gordon was the only trustee who did not agree to admit Brent to the Conservatory. &#13;
&#13;
Dear Billie:&#13;
I received word yesterday that you would like to know the opinion of the Peabody board members on the question of admitting a colored student to the Conservatory. &#13;
It seems to me that it would be a great mistake to change the present policy. In our climate the presence of negroes can to some be extremely offensive. Notwithstanding this, to others their presence together with whites at school, etc., is [illegible] in the South going to lead to such a mixed race as can see [sic] in Sicily or Brazil, — not a very edifying spectacle. &#13;
The effect upon our enrollment might be disastrous. At a time when it is probably going to fall for a while, due to less abundant money in parents’ hands, our principal competitors, — our own graduates teaching music —, may well take away a large part of our own enrollment. When the Board of St. John’s College decided not to accept a negro applicant, and the Executive Committee caused him to be accepted, a drive for funds which was contemplated had to be given up for want of Alumni support. &#13;
If the applicant for the Conservatory is really of outstanding talent, the Peabody should give him financial aid enabling him to study at the Conservatory in Boston, which is not vexed with the problem in question. &#13;
Sincerely yours,&#13;
Douglas Gordon</text>
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                <text>Response from Douglas H. Gordon to William L. Marbury, 1949 August 2, Wm. L. Marbury 1949 July-Dec Folder 1, Box 27, Peabody Institute Board of Trustees records, PIRG.02 Series C: Officers, Arthur Friedheim Library, Peabody Institute, The Johns Hopkins University.</text>
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                <text>&lt;span&gt;&lt;a href="https://exhibits.library.jhu.edu/exhibits/show/a-message-of-inclusion/introduction"&gt;A Message of Inclusion, A History of Exclusion: Racial Injustice at the Peabody Institute&lt;/a&gt;, &lt;a href="https://exhibits.library.jhu.edu/exhibits/show/a-message-of-inclusion/policy-change-at-peabody/acceptance-of-brent"&gt;Acceptance of Paul Brent: 1949&lt;/a&gt;&lt;/span&gt;</text>
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                <text>After receiving Paul A. Brent’s request for assistance with his application to the Peabody Conservatory, Dr. Jackson wrote this letter to the Honorable Howard W. Jackson, Esq., the former mayor of Baltimore, asking for support. </text>
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                <text>Letter from Robert L. Jackson to Howard W. Jackson, 1949 June 21, Wm. L. Marbury 1949 July-Dec Folder 1, Box 27, Peabody Institute Board of Trustees records, PIRG.02 Series C: Officers, Arthur Friedheim Library, Peabody Institute, The Johns Hopkins University.</text>
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                <text>[Uncle Sam (as "Public Opinion") embracing nurse ("American womanhood"), saying: "If you are good enough for war you are good enough to vote"]</text>
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                <text>Drawing by Morris in The Brooklyn Magazine, Nov. 10, 1917.</text>
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                  <text>This is an artificial collection of materials assembled for the Hopkins and the Great War exhibit. The majority of the materials are from the Ferdinand Hamburger University Archives, the Alan Mason Chesney Medical Archives, and the Library of Congress WWI Poster Collection.</text>
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                <text>Croix de la Société Française de Secours aux Blessés Militaires</text>
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                <text>After her 1914-1915 service with the Red Cross Mercy Ship expedition in Pau, Alice Henderson remained in France serving with the American Fund for the French Wounded for which she was awarded service and recognition medals. &#13;
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                <text>E. Becker</text>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/papers/henderson_a.html" target="_blank"&gt;Alice Henderson Collection&lt;/a&gt;</text>
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Length: 3.25 in &#13;
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/" target="_blank"&gt;Alan Mason Chesney Medical Archives&lt;/a&gt;</text>
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                <text>Upton Mansion 1936</text>
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                <text>This is a photo of Upton Mansion from 1936, eleven years before it housed the Baltimore Institute of Musical Arts. The Institute was a thriving music school open to all races at a time when Peabody remained closed to African-American students.</text>
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                <text>Library of Congress Prints and Photographs Division, HABS MD,4-BALT,44--1.</text>
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                <text>&lt;span&gt;&lt;a href="https://exhibits.library.jhu.edu/exhibits/show/a-message-of-inclusion/introduction"&gt;A Message of Inclusion, A History of Exclusion: Racial Injustice at the Peabody Institute&lt;/a&gt;, &lt;a href="https://exhibits.library.jhu.edu/exhibits/show/a-message-of-inclusion/local-musicians-and-programs/bima"&gt;Baltimore Institute of Musical Arts: 1944-1954&lt;/a&gt;&lt;/span&gt;</text>
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                  <text>Hopkins and the Great War</text>
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              <description>An account of the resource</description>
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                  <text>This is an artificial collection of materials assembled for the Hopkins and the Great War exhibit. The majority of the materials are from the Ferdinand Hamburger University Archives, the Alan Mason Chesney Medical Archives, and the Library of Congress WWI Poster Collection.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text>American Red Cross ward at Palais d ’Hiver in Pau, France</text>
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                <text>Ed Jacques</text>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/papers/bartlett_vr.html" target="_blank"&gt;Vashti Bartlett&amp;nbsp;Collection&lt;/a&gt;</text>
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            <name>Rights Holder</name>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/" target="_blank"&gt;Alan Mason Chesney Medical Archives&lt;/a&gt;</text>
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                <text>1 photographic print : gelatin silver ; 4.5 x 6.5 in.</text>
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                <text>"Vivien Thomas and Helen Taussig with President Stephen Muller and others at Johns Hopkins University commencement ceremony, 1976"</text>
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                <text>Ed Thorsett </text>
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                <text>Johns Hopkins Magazine.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="6527">
                <text>Photograph may be subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.</text>
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                <text>Page from The Complete Plays and Poems of William Shakespeare, with John Barth’s notes</text>
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                <text>William Shakespeare</text>
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                <text>ed. William Allan Neilson and Charles Jarvis Hill</text>
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                <text> Cambridge MA: Houghton Mifflin</text>
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                <text>1942</text>
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