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                <text>Photograph as Gioconda in La Gioconda</text>
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                <text>RPF 122</text>
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                <text>Arthur Friedheim Library, the Peabody Institute of the Johns Hopkins University.</text>
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                <text>late 1920's/early 1930's</text>
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                <text>Photograph as Elisabetta in Verdi's Don Carlo</text>
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                <text>	Photograph of Rosa Ponselle as Elizabetta in "Don Carlo" in ornate gown with crown band and heavy make up. Back stamped with "Culver Pictures, Inc. and handwritten "Ponselle as Elizabetta in Don Carlo"</text>
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                <text>Photograph of Carmela Ponselle as Dalila in Saint-Saëns's Samson et Dalila</text>
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                <text>Photograph of Carmela Ponselle as Dalilah in white long gown and floral wreath. Inscription "Carmela Ponselle as Dalilah." Reverse has handwritten "Carmela Ponselle Former Mezzo of Met. O. H."</text>
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                <text> Arthur Friedheim Library, the Peabody Institute of the Johns Hopkins University.</text>
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                <text>Photograph of Carmela Ponselle </text>
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                <text>Photograph of Carmela Ponselle in 20s flapper dress with flower in hair with inscription "To charming Rosa as ever yours, Carmela Ponselle, Sept. 1922"</text>
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                <text>RP 361-1</text>
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                <text>Arthur Friedheim Library, the Peabody Institute of the Johns Hopkins University.</text>
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                <text>French issue Inter-Allied Victory medal; circular bronze medal with bas-relief of the winged figure of Victory on the front with arms outstreteched and holding a laurel wreath and an olive branch while a sword rests in its sheath at her hip; reverse features a Phrydian bonnet between the uppercase letters "R" and "F" for the Republic of France; suspended from a ribbon with symmetric rainbow pattern . Inscription Front is signed "A. Morlon" and back reads: "La/Grande Guerre/Pour La/Civilisation/1914-1918" with hallmarks from the Paris Mint and bronze assay marks at the bottom. </text>
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                <text>1918</text>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/papers/fitzgerald.html" target="_blank"&gt;Alice Fitzgerald Collection&lt;/a&gt;</text>
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Diameter: 1.25 in &#13;
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                <text>Artifact 1602A</text>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/" target="_blank"&gt;Alan Mason Chesney Medical Archives&lt;/a&gt;</text>
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                <text>Alice Fitzgerald's French Medal Commemorative of the Great War</text>
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                <text>The medal was created on 23 June 1920 and presented to military and auxiliary services who served between 2 August 1914 and 11 November 1918. Circular bronze medal with integral bar for suspension decorated with oak leaves; front features the head of a soldier facing the left as a symbol of the French Republic; suspended from a ribbon with five (5) evenly spaced vertical red and white stripes. Inscription Back: "Republique Francaise/Grande Guerre 1914-1918"</text>
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/papers/fitzgerald.html" target="_blank"&gt;Alice Fitzgerald Collection&lt;/a&gt;</text>
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                <text>In the history of psychiatry, the First World War is often identified with the rise of the disorder of “shell shock.” Referred to at the time most often as “war neurosis,” the malady was characterized by tics, convulsions, muscle spasms, paralyses, shakes, emotional outbursts, loss of speech, and problems in memory. The scale of the problem, by contemporaries’ accounts, seemed to match the scale of the conflict itself.  &#13;
&#13;
Many doctors in America learned about the condition and current treatment methods from the British before they entered the war. Here, Doctor Frederick Walker Mott apprises Meyer of the condition and treatment from his vantage point in London. Mott was one of Meyer’s English colleagues in pathology and psychiatry. At the time of his letter, he was treating and studying shell shock patients at the Maudsley Hospital in London. Later that month, he would open his doors to Americans touring British facilities in preparation for their own work on the problem in American troops.&#13;
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                <text>&lt;a href="http://www.medicalarchives.jhmi.edu/" target="_blank"&gt;Alan Mason Chesney Medical Archives&lt;/a&gt;</text>
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                <text>Folder II/353/51</text>
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                <text>The University of North Carolina at Greensboro, University Libraries</text>
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                <text>1919</text>
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                <text>Public domain</text>
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            <name>Identifier</name>
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                <text>https://archive.org/details/womensoverseahos00wome/mode/2up</text>
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