Items

• View of Dordrecht, Holland
  Watercolor on Paper 22 x 31 in. (55.88 x 78.74 cm)
• Portrait of Sir Ronald Storrs
  Charcoal on paper 24½ x 18½ in. (62.2 x 47 cm) Signed: ‘John S Sargent’ (lower left) Dated: ‘1920’ (lower right)
• The Broncho Buster
  Bronze 60.96 cm Inscribed 'Copyright by Frederic Remington' and 'Roman Bronze Works N.Y. (on base) Stamped 'No 194' (beneath base)
• Awaiting Their Return / Waiting
  Awaiting Their Return / Waiting Oil on canvas 28 x 38 in. (71.12 x 96.52 cm) Signed ‘J. Gari Melchers’ (lower right)
• Bau eines kolosses (also titled: ‘Problem’)
  Watercolor over oil transfer on paper 10¾ x 6¾ in. (27.305 x 17.145 cm) Signed at bottom, right of center: ‘Klee’; inscribed on the reverse ‘Problem’
• Marguerite at the Well
  Oil on panel 50 x 40 in. (127 x 101.6 cm) Signed and dated (lower left): ‘J.J. Tissot. /1861’
• Girl with a Mop-Cap
  Oil on canvas 30 x 25 in. (76.2 x 63.5 cm)
• Pastoral Scene
  Pen and brown ink, brown wash on paper 9 ¾ x 12 ½ in. (24.7 x 31.75 cm) Signed and dated ‘Le Prince 1760’ (lower left)
• Le Décintrement d'une des Arches du Pont de Neuilly
  Oil on canvas 28 x 38 ¼ in. (71 x 97 cm)
• Portrait of a Young Man
  Oil on panel 18 x 15 in. (45.7 x 38.1 cm)
• A pastoral scene with figures making music in a landscape with ruins/ A Pastoral Scene with Figures at a Well
  Oil on canvas 14 ½ x 11 ½ in. (36.8 x 29.2 cm) PAIR – Formerly attributed to Francesco Zuccarelli (1702-1788); reattributed to Amigoni by Christie’s.
• Christ Driving the Money Changers from the Temple/ The Raising of Lazarus
  25 ½ x 36 in. (64.7 x 91.4 cm)
• Virgin and Sleeping Child
  Oil on canvas 25 ¼ x 21 ½ in. (64 cm. x 54 cm)
• Landscape with Cattle Alternate titles: L’Escape
  Oil on panel 10 7/8 x 9 in. (27.6 x 22.8 cm) Painted in 1660 Signed ‘A. Van de Velde 1660’
• The Courtship (Self Portrait with Lady)
  Oil on canvas 21 x 17¾ in. (53.34 x 45.085 cm)
• Lady at Her Dressing Table
  Oil on panel 12 x 10 in. (30.5 x 25.4 cm)
• Salute on a Calm Sea
  Oil on canvas 12 ½ x 18 ½ in. (31.75 x 46.99 cm) Signed and indistinctly dated ‘W van de Velde 1696’ (lower left)
• Tavern Interiors, pair A Fiddler and a Drinker (Facing Left)/ Drinker and Smoker (Facing Right)
  Oil on panel 7 ½ x 6 ¾ in. (19 x 17.1 cm) [Goudstikker Blackbook (18.7 x 16.8 cm)] Both paintings signed at lower right ‘Av Ostade’
• Boy in Red
  Oil on panel 12 ½ x 10 in. (31.7 x 25.4 cm)
• Still Life
  Oil on panel 16 x 20 ½ in. (40.6 x 52 cm)
• Portrait of a Lady
  Oil on panel 27 x 20 ¾ in. (68.5 x 52.7 cm)
• An Old Man Reading a Book / The Artist’s Father
  Oil on panel 6 ¼ x 4 ¾ in. (16 x 12 cm)
• The Drinkers
  Oil on panel 7 ¾ x 6 ¼ in. (19.6 x 15.8 cm)
• Portrait of a Gentleman – en brunaille
  Oil on panel 11 ½ x 9 ½ in. (29.2 x 24.1 cm)
• A River Scene with Sailing Boats
  Oil on panel 13 x 18 in. (33 x 45 cm) Inscription: Signed with initials ‘V G’ on the rowboat at the lower left
• Head of a Girl [Previously titled Portrait of Sara and Portrait of the Artist’s Daughter Sara]
  Oil on oval panel 10 ¼ x 8 in. (26 x 20.3 cm) Signed with monogram (lower right)
• Portrait of a Smiling Girl
  Oil on panel 6 ¾ in. diameter (17.1 cm)
• Summer [also titled: The Harvest]
  Oil on panel 16 ¼ x 23 in. (41.3 x 58.4 cm) Signed on lower left: P. Breughel
• St. Matthew
  Oil on canvas 24¾ x 19¾ in. (62.865 x 50.165cm) This painting is part of a set of 13 known as the Henke Apostles series by this artist, depicting Jesus and the 12 apostles.
• Portrait of a Wife/ Portrait of a Husband
  Oil on panel 11 ¼ x 8 ½ in. (28.5 x 21.5 cm) The two portraits were originally part of a triptych which was dismantled about 1930. The central panel was auctioned at Christie’s, London in 1952 [See Auction Catalogues section]. The two shutters were reduced in size and portrayed a male and female facing a central Lamentation panel.
• Madonna
  Oil on panel 12 ¾ x 9 ¼ in. (32.3 x 23.4 cm)
• St. Matthew/ St. Luke
  Oil on panel 25 x 18 in. (63.5 x 45.7 cm)
• The Virgin and Child (Alternate: The Virgin suckling the Christ Child)
  Oil on panel 29 x 18 ½ in. (73.6 x 46.9 cm)
• Untitled triptych
  Oil on oak panels 19 x 6 in. (wings) (48.25 x 15.25 cm) 19 ¼ x 14 ¼ in. (center panel) (48.9 x 36.2 cm) A triptych showing the following scenes: Left Wing: Annunciation; Christ in the Garden of Gethsemane; Center: Road to Calvary; Flagellation; Christ on the Cross; Crowning with Thorns; Right Wing: Deposition; Mass of St. Gregory Reverse of the Wings (doors) of the triptych: Left: The Virgin Mary; Right: St. Elizabeth
• St. Dominic with St. Peter and St. Paul/ St. Dominic with The Virgin and Child in a church interior
  Oil on oak panel 39 x 20 in. (99 x 50 cm)
• Nativity of The Virgin (side #1, recto)/ St. Cornelius (side #2, verso)
  Oil on panel 19 ¾ x 14 ½ in. (50.1 x 36.8 cm)
• St. Catherine of Alexandria/ St. Anthony the Abbot
  Tempera on panel 16 ½ x 8 ¼ in. (42 x 21 cm.) According to Fototeca Zeri titled: Santa Caterina d’Allesandria and Sant’Antonio Abate
• St. Bartholomew/ St. John the Baptist
  Tempera and gold on panel 42 ½ x 15 in. (108 x 38 cm) Signed, inscribed and dated Saint John the Baptist: ‘CECCHUS.PETRI.TOE.PISIS ECCE.AGNIUS.DEI.ECCE./QUITTOLLIS.PECCH ATA…’ [on scroll] and ‘SARTUS.JOV[…] BATIST…’ [on the halo] Saint Bartholomew: ‘ME.PINSIT.A.NOMCCCLX…’ [lower edge] and ‘…NTUS.BARTOLOTIEUS.’ [on the halo] Christie’s: ‘These panels most likely once formed part of Cecco di Pietro’s Nicosia Polyptych, flanking the right side of the Madonna and Child Enthroned in the Museo Nazionale di San Matteo, Pisa. The modern inscription may have been at the Madonna’s feet.’
• Untitled Triptych
  Tempera on panel 15 ½ x 3 ¾ in. (left wing); 14 ½ x 3 ¼ in. (right wing); 17 ½ x 9 in. (center panel) (39.37 x 9.525 cm (left wing); 36.83 x 8.255 cm (right wing); 44.45 x 22.86 cm (center panel) Inscribed: ‘SANTA MARIA MATERDEI (DRTI?) ONORIS’ (lower edge)