In this letter, R. E. Lee Taylor, a member of the Peabody Institute Board of Trustees and the Conservatory Committee, responds to William Marbury with his opinion on the admission of Paul A. Brent to the Conservatory.
In his report to be presented to the Peabody Board of Trustees at their June 1954 meeting, Reginald Stewart included this lengthy statement on the acceptance of African-American students to the Institute.
In January of 1954, Reginald Stewart mentioned the idea of opening a branch of the Conservatory at Douglass High School for African-American students. Peabody President William Marbury, Preparatory Dean Leah Thorpe, and Baltimore City School…
Although the Conservatory had accepted Paul Brent as the first African-American student to officially enroll at Peabody in 1949, the Preparatory still did not accept black students. In 1951, when they were considering neighborhoods for new branches,…
After receiving a letter from Crystal Larkins about the experiences her husband, pianist Ellis Larkins, had at Peabody, Conservatory Director Robert Pierce responded with this letter.
In this letter, Rowland Posey, Director of the Peabody Summer School, suggests to Institute President William Marbury that African-American students be admitted to the Summer School.
Upton Mansion, a historic building in the Upton neighborhood in Baltimore, housed the Baltimore Institute of Musical Arts from 1947-1954. Once a beautiful facility that was home to a vibrant music community, it has been abandoned since 2006.
"A Message of Inclusion, A History of Exclusion: Racial Injustice at the Peabody Institute" is a paper examining Peabody's exclusion of African-American students. With a focus on the years 1924-1968, the paper also reflects on more recent efforts to…