In 1943, the Baltimore Adult Activities Council held a roundtable discussion at the Enoch Pratt Library, addressing the topic of racial prejudice and how to teach children in a way that would lead to better race relations.
Correspondence between Conservatory Director Charles Kent and Preparatory Dean Leah Thorpe concerning hiring an African-American Preparatory faculty member.
In this letter, Charles R. Austrian, a member of the Peabody Institute Board of Trustees and the Conservatory Committee, responds to William Marbury with his opinion on the admission of Paul A. Brent to the Conservatory.
In 1984, the year before Ellis Larkins received an honorary Bachelor's Degree from The Johns Hopkins University, his wife, Crystal Larkins, sent this letter to Robert Pierce, Director of the Peabody Conservatory.
Crystal Larkins sent this letter to Peabody Public Relations Director Anne Garside following Ellis Larkins’ receipt of an honorary Bachelor’s Degree from Johns Hopkins the month before.
In this letter, Douglas H. Gordon, a member of the Peabody Institute Board of Trustees, responds to William L. Marbury with his opinion on the admission of Paul A. Brent to the Conservatory. Gordon was the only trustee who did not agree to admit…
After receiving Paul A. Brent’s request for assistance with his application to the Peabody Conservatory, Dr. Jackson wrote this letter to the Honorable Howard W. Jackson, Esq., the former mayor of Baltimore, asking for support.
This is a photo of Upton Mansion from 1936, eleven years before it housed the Baltimore Institute of Musical Arts. The Institute was a thriving music school open to all races at a time when Peabody remained closed to African-American students.
In a time of indecision and indifference towards changing discriminatory policies at the Peabody Preparatory, Reginald Stewart received this letter from Eugene D. Byrd, DDS on March 24, 1953. Byrd’s letter demands that Peabody stop their…
In this letter, F. Grainger Marburg, a member of the Peabody Institute Board of Trustees, responds to William L. Marbury with his opinion on the admission of Paul A. Brent to the Conservatory.