Exhibits: The Sheridan Libraries and Museums
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  • Lost & Found in the Funhouse: The John Barth Collection
    • INTRODUCTION
    • CREATION
    • PUBLICATION
    • CIRCULATION
    • FOR WHOM IS THE FUNHOUSE FUN?
    • EXHIBITION CREDITS
    • "EXHAUSTION" AND OTHER ESSAYS
    • FICTIONEERING
    • NEWSPAPER PORTRAITS
    • MARKETING A FUNHOUSE
    • A TRANSLATION SAMPLER
    • REPRINTS AND PULPS

MARKETING A FUNHOUSE

 
Cover of Lost in the Funhouse: Fiction for Print, Tape, Live Voice
Cover of Lost in the Funhouse: Fiction for Print, Tape, Live Voice
Cover of Lost in the Funhouse: Fiction for Print, Tape, Live Voice
Cover of Perdido No Tunel Do Terror: Ficcao para impressao, gravacao, representacao
Lost in the Funhouse: Fiction for Print, Tape, Live Voice
Cover of Ambrose im Juxhaus: Fiktionen fur den Druck, das Tonband und die menschliche Stimme
Cover of La Casa dell' Allegria: Storie da stampare, incidere su nastro, recitare
Cover of Perdido en la Casa Encantada: Relatos oara imprimir, grabar y recitar
Cover of Lost in the Funhouse: Fiction for Print, Tape, Live Voice
Cover of Zagubiony w labiryncie smiechu
Cover of Ratacit in Casa Oglinzilor

Once a book is ready for publication, the writer and publisher face the question of how it should be marketed to the public. These examples of various editions of Barth’s Lost in the Funhouse emphasize how an eye-catching cover can immediately attract a potential reader’s attention. A book’s cover is our first introduction to any work of literature, and, in different ways, each of these covers advertises the disorientation, eeriness, and sense of play that characterize the stories in the collection.

← NEWSPAPER PORTRAITS
A TRANSLATION SAMPLER →
PUBLICATION
MARKETING A FUNHOUSE

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